Liverpool has gained a national and international reputation for popular music, most recently recognised in its designation as a UNESCO City of Music. This book examines Liverpool's popular music through the history of the places where it has been performed and examines their role and significance. It explores the richness of Liverpool's live performance scene and tells a story of changing music sites, sounds and experiences. In doing so it highlights music's contribution to the city's history and identity, and in turn shows how the city's architectural and urban form has shaped its musical life and character. The book shows how music is bound up with changes in the social, cultural and economic life of cities more generally, particularly provincial, `post-industrial' cities in the UK, Europe and US. It also highlights the significance of places that enable people to come together and collectively participate in music events. The book touches on groups and artists involved with many diverse musical style and brings new and fascinating information on well-known historic venues such as the Cavern Club and the Blue Angel, as well as new ones such as the Echo Arena. With a glossary of artists and venues, previously unpublished photographs, illustrations and music maps. Liverpool's musical landscapes are investigated in unprecedented detail and depth.

The latest volume in this popular series of books which explores the theoretical basis for temporary and transportable structures where permanence is either not possible or desirable. The book provides insight into the wide range of uses of these structures, the varied forms they take and the concerns and ideas for future development, focusing on portability, adaptability, sustainability of the built environment, and technical innovations. A wide range of designed solutions identify and define contemporary directions in design theory and practice. With international examples throughout, this book will be of interest and value to all those involved in the areas of building design, building component manufacture and urban design.

Transportable Environments explores aspects of the historical and theoretical basis for portable architecture and provides an insight into the wide range of functions that it is used for today, the varied forms that it takes and the concerns and ideas for its future development. Written by a team of international commentators, this volume provides a state-of-the-art survey of this specialist area and will be of interest to a wide range of professionals across the construction and design industries.

The idea that architecture can be portable is one that grabs the imagination of both designers and the people who use it, perhaps because it so often forecasts a dynamic and creative solution to the complex problems of our contemporary mobile society, while at the same time dealing with issues of practicality, economy and sustainability.

Architecture in Motion examines the development of portable, transportable, demountable and temporary architecture from prehistory to the present day. From familiar vernacular models such as the tent, mobile home and houseboat, to ambitious developments in military and construction engineering, all aspects of portable building are considered.

Building on his earlier works Portable Architecture and Houses in Motion, Robert Kronenburg compares traditional forms of building, current commercial products and the work of innovative designers, and examines key contemporary portable buildings to reveal surprising, exciting and imaginative examples. He explores the philosophical and technological issues raised by these experimental and futuristic prototypes.

By understanding the nature of transitory architecture, a new ecologically aware design strategy can be developed to prioritise buildings that 'tread lightly on the earth' and still convey the sense of identity and community necessary for an established responsible society. This book provides a unique insight into this pivotal field of design.

The idea that architecture can be portable is one that grabs the imagination of both designers and the people who use it, perhaps because it so often forecasts a dynamic and creative solution to the complex problems of our contemporary mobile society, while at the same time dealing with issues of practicality, economy and sustainability.

Architecture in Motion examines the development of portable, transportable, demountable and temporary architecture from prehistory to the present day. From familiar vernacular models such as the tent, mobile home and houseboat, to ambitious developments in military and construction engineering, all aspects of portable building are considered.

Building on his earlier works Portable Architecture and Houses in Motion, Robert Kronenburg compares traditional forms of building, current commercial products and the work of innovative designers, and examines key contemporary portable buildings to reveal surprising, exciting and imaginative examples. He explores the philosophical and technological issues raised by these experimental and futuristic prototypes.

By understanding the nature of transitory architecture, a new ecologically aware design strategy can be developed to prioritise buildings that 'tread lightly on the earth' and still convey the sense of identity and community necessary for an established responsible society. This book provides a unique insight into this pivotal field of design.

The latest volume in this popular series of books which explores the theoretical basis for temporary and transportable structures where permanence is either not possible or desirable. The book provides insight into the wide range of uses of these structures, the varied forms they take and the concerns and ideas for future development, focusing on portability, adaptability, sustainability of the built environment, and technical innovations. A wide range of designed solutions identify and define contemporary directions in design theory and practice.

With international examples throughout, this book will be of interest and value to all those involved in the areas of building design, building component manufacture and urban design.

Transportable Environments explores aspects of the historical and theoretical basis for portable architecture and provides an insight into the wide range of functions that it is used for today, the varied forms that it takes and the concerns and ideas for its future development. Written by a team of international commentators, this volume provides a state-of-the-art survey of this specialist area and will be of interest to a wide range of professionals across the construction and design industries.

eBook available with sample pages: 0203023854

This Must Be The Place is the first architectural history of popular music performance space, describing its beginnings, its different typologies, and its development into a distinctive genre of building design. It examines the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals such as building owners, promoters, and the musicians themselves as well as professionally by architects, designers, and construction specialists. With a primary focus on Europe and North America (and excursions to Australia, the Far East and South America), it explores audience experience and how venues have influenced the development of different musical scenes. From music halls and Vaudeville in the 1800s, via the seminal clubs and theatres of the 20th century, to the large-scale multi-million-dollar arena concerts of today, this book explores the impact that the use of private and public space for performance has on our cities' urban identity, and, to a lesser extent, how rural space is perceived and used. Like architecture, popular music is neither static nor standardized; it continuously develops and has multiple strands. This Must Be The Place describes the factors that have determined the development of music venue architecture, focusing on both famous and less well-known examples from the smallest bar room music space to the largest stadium-filling rock set.

This Must Be The Place is the first architectural history of popular music performance space, describing its beginnings, its different typologies, and its development into a distinctive genre of building design. It examines the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals such as building owners, promoters, and the musicians themselves as well as professionally by architects, designers, and construction specialists. With a primary focus on Europe and North America (and excursions to Australia, the Far East and South America), it explores audience experience and how venues have influenced the development of different musical scenes. From music halls and Vaudeville in the 1800s, via the seminal clubs and theatres of the 20th century, to the large-scale multi-million-dollar arena concerts of today, this book explores the impact that the use of private and public space for performance has on our cities' urban identity, and, to a lesser extent, how rural space is perceived and used. Like architecture, popular music is neither static nor standardized; it continuously develops and has multiple strands. This Must Be The Place describes the factors that have determined the development of music venue architecture, focusing on both famous and less well-known examples from the smallest bar room music space to the largest stadium-filling rock set.

Since the earliest people lived as nomads, their buildings were portable, constructed in a way that allowed them to be rebuilt as they moved to new locations for better living conditions as the seasons changed. This book discusses the forerunners, present context, and technology of portable architecture. It documents numerous international examples, organized by areas of application, and offers a broad array of suggestions for practical design. In the Arts and Culture section, Shigeru Bana (TM)s Nomadic Museum, made of shipping containers in the USA and Japan is examined, as is Mark Fishera (TM)s event architecture for concert tours by the Rolling Stones and U2. Suggestions for flexible living include Richard Hordena (TM)s micro compact home and the Container Home Kit from LOT/EK. The design of mobile structures used in extreme situations, such as the Antarctic or in the aftermath of natural catastrophes, is explored. Exhibition and entertainment facilities are other typical areas of application for light, mobile structures. Demountable, temporary structures allow for exciting architectural experimentation which can then be prototyped for regular use.

Live Architecture explores the physical form of popular music performance space from 1960 to the present day.

This book quantifies the factors that determine what makes a venue successful focusing on both famous and less well-known examples from the smallest barroom music space to the largest stadium-filling rock set. It draws on the author s extensive research expertise in the field of temporary and portable architecture, in the development of general contemporary architectural design, and personal experience of music performance.

Including a range of case studies, the book analyses some of the most significant popular music venues, events and landmarks in the world. The detail of how a venue is created, how it is constructed, and the acoustic and visual environmental factors that impact on its success are examined here.

Highly illustrated throughout with design drawings, plans and full colour photographs, this book provides a comprehensive overview of the architecture of live popular music.